Python Audio Coder

This is a Python implementation of an audio coder, for teaching purposes. The audio coder includes Huffman coding and writing a binary compressed file as encoded version. It is for the book:

Schuller, Gerald: "Filter Banks and Audio Coding, Compressing Audio Signals Using Python"

Springer, 2020,

https://www.springer.com/gp/book/9783030512484

https://www.amazon.de/-/en/Gerald-Schuller/dp/3030512487

You can copy the directory to a local directory with:

git clone https://github.com/TUIlmenauAMS/Python-Audio-Coder

You can also use the Colab notebook:

For the encoder use:

python3 audio_encoder.py audiofile.wav [quality]

where quality is an optional quality argument. Default is quality=100 as 100%. For higher values, the masking threshold is lowered accordingly, to reduce the quantization error and increase the quality, but also increase bit rate. For multi-channel audio signals, like stereo, it encodes the channels separately. It writes the compressed signal to file audiofile.acod. The audiofile could be the included test48khz.wav for testing. The resulting bit rate is around 1.5 bits/sample for quality around 100%. Observe that there is no inherent limit on the sampling rate and quality setting, for experimenting.

It uses an MDCT filter bank with 1024 subbands (can be set in file audio_encoder.py on line 48 and on line 27 in audio_decoder.py) with a sine window, a psycho-acoustic model with non-linear superposition, and Huffman coding. It computes new Huffman tables for each audio signal and stores them in the compressed binary file as side information.

For experimentation, different numbers of subbands can be tried for different signals, and the resulting audio quality and bit rate can be compared. For instance for percussive signals like castanets, 1024 subbands should lead to audible pre-echo artifacts, and a lower mumber of subbands should lead to a higher audio quality. For more tonal signals high subbands should be better, speech should be in between.

The number of bark subbands used in the psycho-acoustic subbands is 64, but it can also be changed, on line 49 in file audio_encoder.py and line 28 in audio_decoder.py. This can be used to experiment with the Bark resolution of the psycho-acoustic model.

To decode the encoded audio signal

in *.acod use:

python3 audio_decoder.py audiofile.acod

It writes the decoded audio signal in .wav format in file audiofilerek.wav

A demo and test of the psycho-acoustic model in directory PythonPsychoacoustics

is obtained be running there

python3 psyacmodel.py

It includes audio output, for which pyaudio is needed.

A demo and test of quantization a signal according the the psycho-acoustic masking threshold is obtained with

python3 psyac_quantization.py

• The audio library pyaudio can be installed with:

sudo apt install python3-pyaudio

or sudo pip3 install PyAudio

For the binary file, the library "pickle" is needed, it can be installed with

sudo pip3 install pickle

Filter Bank Optimization

The folder also contains a few programs which show how to optimize different types of filter banks, with regard to their filter characteristics.

The following runs an optimization for an MDCT, in this example for N=4 subbands (and filter length 2N=8),

python3 optimfuncMDCT.py

The following runs an optimization for a Low Delay Filter Bank, also for N=4, but filter length 3N=12, and system delay of 7 (including blocking delay of N-1=3, which doesn't show up in file based examples),

python3 optimfuncLDFB.py

The last runs an optimization for a PQMF filter bank, for N=4 subbands and filter length 8N=32, and system delay of 31 (including the blocking delay of N-1=3),

python3 optimfuncQMF.py

The Psycho-acoustic Pre- and Post-Filters

The psycho-acoustic pre-filter normalizes a signal to its psycho-acoustic masking threshold, such that a given error in time of over frequency has a comparable effect for hearing. This can also be seen as a psycho-acoustic domain where a mean squared error has a psycho-acoustic meaning. See the book for a more detailed description.

The functions for the psycho-acoustic pre-and post-filter are in psyacprepostfilter.py

A front end for the pre-filter for file processing is: psyacpostfilterFromFile.py.

Usage: python3 psyacprefilterToFile.py audiofile.wav [quality]

default for quaity is 100, higher numbers give higher quality but leads to higher bit-rate

Similarly, a file front-end for the post-filt is: psyacprefilterToFile.py

Usage: python3 psyacpostfilterFromFile.py audiopref.wav

Predictive Lossless Audio Coding

The Predictive Lossless Encoder

To execute our predictive lossless coder on an example audio file "test48khz.wav", we execute in a terminal shell,

python lossless_predictive_audio_encoder.py test48khz.wav

It produces the file "fspeech.lacodpred". Instead of "test48khz.wav", we could also take a file from freesound.org.

The Predictive Lossless Decoder

We can execute the decoder with the command

python lossless_predictive_audio_decoder.py test48khz.lacodpred

It produces the file "test48khz.wav", which is identical to the original, but a few samples shorter, because the encoder only processes full Rice coding blocks.

Scalable Lossless Audio Coding

The Lossless Encoder

we can record a stereo audio test file by using a stereo microphone by entering the following command in our Linux shell,

arecord -c 2 -r 32000 -f S16_LE -d 5 stereosound.wav

We can listen to the recorded sound with the command

aplay stereosound.wav

Then we apply the lossless audio encoder with

python lossless_rice_audio_encoder.py stereosound.wav

This produces the file with the reconstructed audio "stereosoundlarek.wav".

The Lossless Decoder

We can apply our lossless audio decoder,

python lossless_rice_audio_decoder.py stereosound.lacodrice

the reconstructed file is somewhat smaller.

Gerald Schuller, [email protected], January 2022.