Working process #180
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Thanks! That's a tricky question, because for me making music is and has always been all about the old good "doing whatever the fuck you want" :) My workflow largely revolves around a lot of experimentation, where the important part is to feel free to rollback or delete the parts my ears are comfortable with. The version control page kinda helps with this: at some point I know I've made something which feels like progress, which I'm afraid to lose accidentally, and this fear brings friction for making further changes, and noticing this friction is how I know it's time to make a checkpoint. When I'm out of ideas and don't know where to start, I just do some random stuff: maybe do a melodic inversion of some previous sentence and see what happens, or arpeggiate some chords (I have a number of home-cooked arpeggiators, and your question is a good reminder for me to document how arps are supposed to work and probably to add some built-in ones) - but the result is almost never quite good, and serves as a starting point for further tweaks and refactoring. That's about it, off the top of my head: most of the tricks I find are not related to working process, just various musical ideas, often random.
At the moment I'm not improvising in 31edo per se, just writing in the "diatonic" subsets of 31edo with some "xen" decorations: to me it looks like microtonality gives another dimension of tension-release cycle, so to speak: something like going from the familiar "diatonic" sound to dissonance or just strangeness, and then back home, to the (more or less) familiar sound. |
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Not really a Helio issue, rather merely a question.
Could you tell more about your working process in Helio, especially for 31edo? It's rather hard to improvise in 31edo on a normal keyboard, but you write 31edo pieces with all the fine details.
PS: I really liked https://www.youtube.com/watch?v=7-TVVXDiMEI
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