From c7b6225e81f43f25eb55803598cf2abeef4d8910 Mon Sep 17 00:00:00 2001 From: lehkost Date: Mon, 7 Oct 2024 10:08:14 -0300 Subject: [PATCH] update bibliographic entries --- public/doc/research.md | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) diff --git a/public/doc/research.md b/public/doc/research.md index 0cfed52..fa82a39 100644 --- a/public/doc/research.md +++ b/public/doc/research.md @@ -6,7 +6,7 @@ This constantly updated bibliography is an attempt to collect all research publi * Melanie Andresen, Nils Reiter: Introduction. In: eid. (eds.): Computational Drama Analysis: Reflecting Methods and Interpretations. Berlin, Boston: De Gruyter 2024, pp. 1–6. ([doi:10.1515/9783111071824-001](https://doi.org/10.1515/9783111071824-001)) * Melanie Andresen, Benjamin Krautter, Janis Pagel, Nils Reiter: Knowledge Distribution in German Drama. In: Journal of Open Humanities Data. Vol. 10 (2024), no. 1, pp. 1–7. ([doi:10.5334/johd.167](https://doi.org/10.5334/johd.167)) -* Julia Jennifer Beine, Frank Fischer, Viktor J. Illmer: Just the Type: Analysing Character Typology in Roman Comedy with RomDraCor. In: DH2024: »Reinvention & Responsibility«. 6–10 August 2024. Washington, DC. Book of Abstracts. (forthcoming) +* Julia Jennifer Beine, Frank Fischer, Viktor J. Illmer: Just the Type: Analysing Character Typology in Roman Comedy with RomDraCor. In: DH2024: »Reinvention & Responsibility«. 6–10 August 2024. Washington, DC. Book of Abstracts. ([doi:10.5281/zenodo.13801481](https://doi.org/10.5281/zenodo.13801481)) * Julia Jennifer Beine: The Schemer Unmasked. Sketching a Digital Profile of the Scheming Slave in Roman Comedy. In: Journal of Computational Literary Studies. Vol. 3 (2024), issue 1, pp. 1–29. ([doi:10.48694/jcls.3670](https://doi.org/10.48694/jcls.3670)) * Ingo Börner, Peer Trilcke et al.: On Versioning Living and Programmable Corpora (v1.0.0). CLS INFRA D7.3. Zenodo, 27 February 2024. ([doi:10.5281/zenodo.11081934](https://doi.org/10.5281/zenodo.11081934)) * Pierre Bourhis, Aaron Boussidan, Céline Fournial, Philippe Gambette: [Detecting semantic or structural similarities for theater play comparison.](http://igm.univ-mlv.fr/~gambette/2024BourhisBoussidanFournialGambette.pdf) In: 17th International Conference on Statistical Analysis of Textual Data (JADT 2024): »Mots comptés, textes déchiffrés«. 25–27 June 2024. Brussels. (pp. 139–148) @@ -15,7 +15,7 @@ This constantly updated bibliography is an attempt to collect all research publi * Katrin Dennerlein, Thomas Schmidt, Christian Wolff: Emotions in Stage Directions in German Drama of the Early Modern Period: Explorations via Computational Emotion Classification. In: Melanie Andresen, Nils Reiter (eds.): Computational Drama Analysis: Reflecting Methods and Interpretations. Berlin, Boston: De Gruyter 2024, pp. 189–215. ([doi:10.1515/9783111071824-010](https://doi.org/10.1515/9783111071824-010)) * Pablo Ruiz Fabo, Delphine Bernhard, Andrew Briand, Carole Werner: Computational Drama Analysis from Almost Zero Electronic Text: the Case of Alsatian Theater. In: Melanie Andresen, Nils Reiter (eds.): Computational Drama Analysis: Reflecting Methods and Interpretations. Berlin, Boston: De Gruyter 2024, pp. 57–85. ([doi:10.1515/9783111071824-004](https://doi.org/10.1515/9783111071824-004)) * Michael Falk: Drama: Inner Seas in the Tragedies of Baillie and Harpur. In: Romanticism and the Contingent Self. The Challenge of Representation. Cham: Palgrave Macmillan 2024, pp. 183–228. ([doi:10.1007/978-3-031-49959-3_5](https://doi.org/10.1007/978-3-031-49959-3_5)) -* Frank Fischer, Carsten Milling, Jan Jokisch, Peer Trilcke: French Drama in TEI: A Workflow for the Continuous Integration of the »Théâtre classique« Corpus into the DraCor Infrastructure. In: TEI2024: »Texts, languages, and communities / Textos, lenguas y comunidades«. 7–11 October 2024. Book of Abstracts. Universidad del Salvador, Buenos Aires. (forthcoming) +* Frank Fischer, Carsten Milling, Jan Jokisch, Peer Trilcke: French Drama in TEI: A Workflow for the Continuous Integration of the »Théâtre classique« Corpus into the DraCor Infrastructure. In: TEI2024: »Texts, languages, and communities / Textos, lenguas y comunidades«. 7–11 October 2024. Universidad del Salvador, Buenos Aires. Book of Abstracts, pp. 62–63. ([doi:10.5281/zenodo.13883242](https://doi.org/10.5281/zenodo.13883242)) * Marie Flüh, Mareike Schumacher: Macht versus Emotion. Handlungstreibende Muster in Günderrodes Dramen digital, distant und scalable gelesen. In: Frederike Middelhoff, Martina Wernli (eds.): Noch Zukunft haben. Neue Romantikforschung. Vol. 5. Berlin, Heidelberg: Metzler, pp. 165–202. ([doi:10.1007/978-3-662-67902-9_9](https://doi.org/10.1007/978-3-662-67902-9_9)) * Luca Giovannini, Daniil Skorinkin: Computational Approaches to Opera Libretti. In: Journal of Computational Literary Studies. Vol. 3 (2024), issue 1, pp. 1–23. ([doi:10.48694/jcls.3595](https://doi.org/10.48694/jcls.3595)) * Wolfgang Imo: Problematische Possessivität: Possessivpronomen und Reparatursequenzen in historischen Dramen. In: Zeitschrift für Literaturwissenschaft und Linguistik (2024). ([doi:10.1007/s41244-024-00342-5](https://doi.org/10.1007/s41244-024-00342-5))