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nbuumu_0070.xml
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<ead xmlns="urn:isbn:1-931666-22-9" xsi="xsi=&quot;http://www.w3.org/2001/XMLSchema-instance" xlink="http://www.w3.org/1999/xlink" schemaLocation="urn:isbn:1-931666-22-9 http://www.loc.gov/ead/ead.xsd">
<eadheader audience="external" langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601">
<eadid countrycode="US" mainagencycode="nbuumu" encodinganalog="identifier" publicid="-//State University of New York at Buffalo::Music Library//TEXT (US::NBuU-Mu::Mus. Arc. 70::Sylvia Brigham-Dimiziani Collection of Annotated and Manuscript Scores)//EN">nbuumu_0070</eadid>
<filedesc>
<titlestmt>
<titleproper encodinganalog="title">Finding Aid for the Sylvia
Brigham-Dimiziani Collection of Annotated and Manuscript Scores,
<date encodinganalog="date" era="ce" calendar="gregorian" type="inclusive" normal="1921/1978">1921-1978</date> </titleproper>
<titleproper type="filing" altrender="nodisplay"> Brigham-Dimiziani
(Sylvia) Collection of Annotated and Manuscript Scores </titleproper>
<author encodinganalog="contributor">Finding aid prepared by John
Bewley.</author>
</titlestmt>
<publicationstmt>
<publisher encodinganalog="publisher">State University of New York at Buffalo. Music Library</publisher>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
<p>&#xA9;
<date type="publication" encodinganalog="date">2015</date>. State
University of New York at Buffalo. All rights reserved.</p>
</publicationstmt>
</filedesc>
<profiledesc>
<creation>Finding aid encoded in EAD by John Bewley, January 2015.
</creation>
<langusage>Finding aid written in
<language encodinganalog="language" langcode="eng">English.</language>
</langusage>
<descrules>Finding aid prepared using DACS (
<title render="italic">Describing Archives: A Content Standard
</title>).</descrules>
</profiledesc>
</eadheader>
<archdesc level="collection" type="inventory" relatedencoding="marc21">
<did>
<head>Collection Overview</head>
<unittitle label="Title" encodinganalog="245$a"> Sylvia Brigham-Dimiziani
Collection of Annotated and Manuscript Scores
<unitdate encodinganalog="245$f" normal="1921/1978" type="inclusive" datechar="creation">1921-1978</unitdate>
</unittitle>
<unitid encodinganalog="099" countrycode="US" repositorycode="NBuU-Mu" label="Collection Number">Mus. Arc. 70</unitid>
<origination label="Creator">
<persname encodinganalog="100" role="creator" source="lcnaf">
Brigham-Dimiziani, Sylvia </persname>
</origination>
<physdesc label="Extent">
<extent unit="box" encodinganalog="300$a">1
box</extent>
<extent unit="item" encodinganalog="300$a">(11 items)</extent>
</physdesc>
<langmaterial label="Language of Material" encodinganalog="546"> Song
texts in <language encodinganalog="041" langcode="eng">English</language>,
<language encodinganalog="041" langcode="eng">French</language>, and
<language encodinganalog="041" langcode="eng">German</language>.</langmaterial>
<repository label="Repository" encodinganalog="852">
<corpname>State University of New York at Buffalo. Music Library</corpname>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
</repository>
<abstract label="Abstract" encodinganalog="520$a"> The Sylvia
Brigham-Dimiziani Collection of Annotated and Manuscript Scores contains eleven
musical scores including three works by Lukas Foss that contain markings
entered on the scores by Sylvia Brigham-Dimiziani in preparation for
performances.</abstract>
<unitdate type="inclusive" normal="1921/1978">1921-1978</unitdate>
</did>
<descgrp type="admininfo">
<head>Administrative Information</head>
<prefercite encodinganalog="524">
<head>Preferred Citation</head>
<p>[Specified item], Sylvia Brigham-Dimiziani Collection of Annotated
and Manuscript Scores, 1921-1978, Music Library, The State University of New
York at Buffalo.</p>
</prefercite>
<accessrestrict encodinganalog="506">
<head>Terms of Access</head>
<p>Materials can be examined by qualified researchers in the Music
Library during hours of operation during which Music Librarians are present. In
order to insure access, researchers are advised to contact the Music Library in
advance of visits. </p>
</accessrestrict>
<userestrict encodinganalog="540">
<head>Copyright</head>
<p>Copyright for the materials in the collection does not reside with
the Music Library. Therefore, patrons wishing to publish any item, or part of
an item from this collection for any purpose, are responsible for securing
requisite permissions. </p>
</userestrict>
<acqinfo encodinganalog="541">
<head>Acquisition Information</head>
<p>Gift of Sylvia Brigham-Dimiziani, 2000.</p>
</acqinfo>
<accruals encodinganalog="584">
<head>Accruals and Additions</head>
<p>No further accruals are expected to this collection. </p>
</accruals>
<processinfo encodinganalog="583">
<head>Processing Information</head>
<p>Processed by John Bewley, 2015.</p>
</processinfo>
</descgrp>
<bioghist encodinganalog="545">
<head>Biographical Note</head>
<p>Sylvia Brigham-Dimiziani was born in 1937. She received her earliest
musical training on the piano before studying voice. She earned her Bachelor's
degree from Pomona College (1959) and her Master's degree from Juilliard School
of Music (1961). She also studied in Paris at L'Ecole Normale de Musique as a
Fulbright Scholar, at the Mozarteum in Salzburg, with a coach at Rome Opera,
and at the Darmstadt Fereinkurse f&#xFC;r neue Musik. She came to Buffalo in 1964 as
a member of the first group of Creative Associates at the Center of the
Creative and Performing Arts. After leaving Buffalo in 1966 she performed in
Italy before joining the faculty at California State University, Northridge.
She returned to Buffalo in 1970 to join the music faculty at the University at
Buffalo. She remained on the faculty until her retirement in 2001. </p>
<p>While at the University at Buffalo Professor Brigham-Dimiziani taught
voice lessons, vocal diction, and courses in vocal literature and chamber
music. Her performances as a soprano covered a wide range of repertoire,
including works by Bach, Handel, Bononcini, Mozart, Schumann, Satie, Roussel,
Ravel, Arrigo, Ives, Schoenberg, Webern, Brant, Del Tredici, Foss, Rorem, Smit,
Pousseur, and Fredric Myrow, who composed his
<title render="italic">Songs from the Japanese</title> for her voice
while they were both Creative Associates. Her career was international in
scope, with performances at the Maggio Musicale in Florence, the Domaine
Musical in Paris, with the Berlin Philharmonic, the New York Philharmonic, and
Cleveland Orchestra. </p>
</bioghist>
<scopecontent encodinganalog="520">
<head>Scope and Content Note</head>
<p>The Sylvia Brigham-Dimiziani Collection of Annotated and Manuscript
Scores contains eleven musical scores including three works by Lukas Foss that
contain markings entered on the scores by Sylvia Brigham-Dimiziani in
preparation for performances. The other works are all for solo voice or voice
and piano. They include two settings of poetry by Muriel Muschamp (Orr-Ewing).
</p>
</scopecontent>
<arrangement encodinganalog="351">
<head>Arrangement</head>
<p>The collection is in one series, arranged alphabetically by either
composer or author of text, and then alphabetically by title.</p>
</arrangement>
<dsc type="combined">
<head>Container List</head>
<c level="item" id="c_5ccc8a237bbf5">
<did>
<container type="box">1</container>
<container type="item">1</container>
<unittitle>
<persname>Angrave, Carl</persname>
<title>Mignonette : song</title>
<unitdate>1921</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (3 pages) </extent>
</physdesc>
</did>
<note>
<p>Ink manuscript. For voice and piano.</p>
<p>Music by Carl Angrave with text by Muriel Muschamp [Muriel
Orr-Ewing]. First line of text: A little bunch of mignonette.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc18">
<did>
<container type="box">1</container>
<container type="item">2</container>
<unittitle>
<persname>Carpenter, Edward, 1844-1929</persname>
<title>The idler</title>
<unitdate>undated</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf of manuscript music</extent>
</physdesc>
</did>
<note>
<p>Pencil manuscript. Vocal line only.</p>
<p>Text by Edward Carpenter, from his work,
<title render="italic">Towards democracy</title>. Composer of music
not identified. First line of text: I am he that beholds and praises the
universe. </p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc25">
<did>
<container type="box">1</container>
<container type="item">3</container>
<unittitle>
<persname>Foss, Lukas, 1922-2009</persname>
<title>[Thirteen ways of looking at a blackbird]</title>
<unitdate>1978</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (17 leaves)</extent>
</physdesc>
</did>
<note>
<p>Photocopy of manuscript. Leaves taped together for performance
purposes and marked for performance throughout. </p>
<p> For voice (soprano or mezzo-soprano, possibly tenor or high
baritone), percussion (1 performer playing inside the piano on strings with
tape covered triangle beaters, 2 cowbells, 2 bowls balancing on piano strings,
and using a superball mallet, flexatron and Jew's harp), piano, and flute; with
2 tape recorders (optional). </p>
<p>Text by Wallace Stevens.</p>
<p>Accompanied by 3 December 1978 UB Percussion Ensemble concert
program on which the work was performed.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc30">
<did>
<container type="box">1</container>
<container type="item">4</container>
<unittitle>
<persname>Foss, Lukas, 1922-2009</persname>
<title>[Thirteen ways of looking at a blackbird]</title>
<unitdate>1978</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (17 leaves)</extent>
</physdesc>
</did>
<note>
<p>Photocopy of manuscript. Marked for performance throughout. </p>
<p> For voice (soprano or mezzo-soprano, possibly tenor or high
baritone), percussion (1 performer playing inside the piano on strings with
tape covered triangle beaters, 2 cowbells, 2 bowls balancing on piano strings,
and using a superball mallet, flexatron and Jew's harp), piano, and flute; with
2 tape recorders (optional). </p>
<p>Text by Wallace Stevens.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc3c">
<did>
<container type="box">1</container>
<container type="item">5</container>
<unittitle>
<persname>Foss, Lukas, 1922-2009</persname>
<title>Three airs for Frank O'Hara's angel</title>
<unitdate>1972</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (15 leaves) </extent>
</physdesc>
</did>
<note>
<p>Photocopy of manuscript. For male speaker, soprano solo, small
women's chorus, 1 piano, 1 mandolin or guitar, and/or harp or harpsichord, 1
percussionist, and 1 tape recorder. Score bears small number of performance
markings. </p>
<p>Text by Frank O'Hara.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc48">
<did>
<container type="box">1</container>
<container type="item">6</container>
<unittitle>
<persname>Foss, Lukas, 1922-2009</persname>
<title>Time cycle: four songs for soprano, clarinet, cello,
percussion, and piano-celesta</title>
<imprint>
<geogname>New York</geogname>:
<publisher>Carl Fischer</publisher>,</imprint>
<unitdate>1964</unitdate>
</unittitle>
<physdesc>
<extent>2 scores</extent>
</physdesc>
</did>
<note>
<p>Piano-full score and Soprano solo with piano reduction. Both
scores marked for performance. </p>
<p>Texts by W. H. Auden, A. E. Housman, Franz Kafka, and Friedrich
Nietzsche.</p>
<p>Accompanied by 226 February 1969 International Society for
Contemporary Music concert program on which the work was performed and a
<title>Los Angeles Times</title> 28 February 1969 review of the
concert.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc56">
<did>
<container type="box">1</container>
<container type="item">7</container>
<unittitle>
<persname>Macky, A. M.</persname>
<title>Sister, awake: Old English lyrick</title>
<unitdate>undated</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (2 pages) </extent>
</physdesc>
</did>
<note>
<p>Ink manuscript. For voice and piano. </p>
<p>Traditional English text set to music by A. M. Macky. First line
of text: Sister, awake, close not your eyes.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc65">
<did>
<container type="box">1</container>
<container type="item">8</container>
<unittitle>
<persname>Mistral, Fr&#xE9;d&#xE9;ric, 1830-1914</persname>
<title>Magali</title>
<unitdate>undated</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (1 leaf)</extent>
</physdesc>
</did>
<note>
<p>Ink manuscript. For voice and piano. </p>
<p>Text by Fr&#xE9;d&#xE9;ric Mistral; traditional French tune set by unknown
arranger. First line of text: O Magali, ma tant aim&#xE9;e. </p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc75">
<did>
<container type="box">1</container>
<container type="item">9</container>
<unittitle>
<persname>Orr-Ewing, Muriel M. (Muriel Muschamp),
1900-1994</persname>
<title>You spoke of shells</title>
<unitdate>1931</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (2 pages) </extent>
</physdesc>
</did>
<note>
<p>Ink manuscript. For voice and piano. </p>
<p>Text by Muriel Muschamp (later Orr-Ewing) set by unidentified
composer. First line of text: You spoke of shells for forgetting.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc84">
<did>
<container type="box">1</container>
<container type="item">10</container>
<unittitle>
<persname>Petzold, Alfons, 1882-1923</persname>
<title>Mann weiss nicht wie man lebt in diesen Tagen</title>
<unitdate>undated</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (4 pages) </extent>
</physdesc>
</did>
<note>
<p>Pencil manuscript. For voice and piano. </p>
<p>Text from Alfons Petzold's
<title render="italic">Der Fr&#xFC;hling</title> from his
<title render="italic">Heimat Welt</title> set by unidentified
composer.</p>
</note>
</c>
<c level="item" id="c_5ccc8a237bc94">
<did>
<container type="box">1</container>
<container type="item">11</container>
<unittitle>
<persname>Unknown</persname>
<title>U. N. A.</title>
<unitdate>undated</unitdate>
</unittitle>
<physdesc>
<extent>1 manuscript score (2 pages) </extent>
</physdesc>
</did>
<note>
<p>Pencil manuscript. For voice and piano. </p>
<p>No attributions for author of text or composer. First line of
text: Standing together shoulder to shoulder fighting for freedom and peace on
earth. </p>
</note>
</c>
</dsc>
<controlaccess>
<head>Search Terms</head>
<note>
<p>The following terms have been used to index the description of this
collection in the Library's online catalog. </p>
</note>
<controlaccess>
<head>Contributors</head>
<persname source="lcnaf" encodinganalog="700" role="creator">Foss,
Lukas, 1922-2009</persname>
<persname rules="local" encodinganalog="700" role="creator">Orr-Ewing,
Muriel M. (Muriel Muschamp), 1900-1994</persname>
</controlaccess>
<controlaccess>
<head>Subjects</head>
<subject source="lcsh" encodinganalog="650">Music --
Manuscripts</subject>
<persname encodinganalog="600" source="lcnaf" role="subject">Foss,
Lukas, 1922-2009 -- Manuscripts</persname>
</controlaccess>
<controlaccess>
<head>Genres</head>
<genreform encodinganalog="655" source="aat">Scores</genreform>
</controlaccess>
</controlaccess>
<descgrp type="add">
<head>Associated Material</head>
<relatedmaterial encodinganalog="544 1">
<head>Related Resources in the University Archives</head>
<list type="deflist">
<defitem>
<label>
<archref href="http://purl.org/net/findingaids/view?docId=ead/archives/ubar_ms0070.xml" show="new" actuate="onrequest" role="text/html"> Muriel Orr-Ewing Papers,
1822-1994 </archref> MS 70 </label>
<item>Correspondence, diaries, photograph albums of previous hit
Muriel Orr next hit-Ewing (nicknamed "Meiko"). Collection includes records as
founding president of the British Association of Women Executives and
headmistress of the English girls finishing school, The Grove. Also includes
personal correspondence with opera singer, Ad&#xE8;le Leigh, child author Berthe
Grimault, and other notable writers and poets. </item>
</defitem>
</list>
</relatedmaterial>
</descgrp>
</archdesc>
</ead>