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nbuumu_0005_2.xml
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<ead xmlns="urn:isbn:1-931666-22-9" xsi="xsi=&quot;http://www.w3.org/2001/XMLSchema-instance" xlink="http://www.w3.org/1999/xlink" schemaLocation="urn:isbn:1-931666-22-9 http://www.loc.gov/ead/ead.xsd">
<eadheader audience="external" langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601">
<eadid countrycode="US" mainagencycode="nbuumu" encodinganalog="identifier" publicid="-//State University of New York at Buffalo::Music Library//TEXT (US::NBuU-Mu::Mus. Arc. 5.2::Lejaren Hiller Collection of Audio Tape Recordings)//EN">nbuumu_0005_2</eadid>
<filedesc>
<titlestmt>
<titleproper encodinganalog="title">Finding Aid for the Lejaren Hiller
Collection of Audio Tape Recordings,
<date encodinganalog="date" era="ce" calendar="gregorian" type="inclusive" normal="1958/1985" certainty="approximate">1958-1985</date>
</titleproper>
<titleproper type="filing" altrender="nodisplay">Hiller (Lejaren)
Collection of Audio Tape Recordings</titleproper>
<author encodinganalog="contributor">Finding aid prepared by John
Bewley.</author>
</titlestmt>
<publicationstmt>
<publisher encodinganalog="publisher">State University of New York at Buffalo. Music Library</publisher>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
<p>&#xA9;
<date type="publication" encodinganalog="date">2013</date>. State
University of New York at Buffalo. All rights reserved.</p>
</publicationstmt>
</filedesc>
<profiledesc>
<creation>Finding aid encoded in EAD by John Bewley, February
2013.</creation>
<langusage>Finding aid written in
<language encodinganalog="language" langcode="eng">English.</language>
</langusage>
<descrules>Finding aid prepared using DACS (
<title render="italic">Describing Archives: A Content Standard
</title>).</descrules>
</profiledesc>
</eadheader>
<archdesc level="collection" type="inventory" relatedencoding="marc21">
<did>
<head>Collection Overview</head>
<unittitle label="Title" encodinganalog="245$a">Lejaren Hiller Collection
of Audio Tape Recordings,
<unitdate encodinganalog="245$f" normal="1958/1985" type="inclusive" datechar="creation" certainty="approximate">1958-1985</unitdate>
</unittitle>
<unitid encodinganalog="099" countrycode="US" repositorycode="NBuU-Mu" label="Collection Number">Mus. Arc. 5.2</unitid>
<origination label="Creator">
<persname encodinganalog="100" role="creator" source="lcnaf">Hiller,
Lejaren, 1924-1994</persname>
</origination>
<physdesc label="Extent">
<extent encodinganalog="300$a" unit="reel">290
reel to reel tapes</extent>, <extent encodinganalog="300$a" unit="linear foot">25 linear feet</extent>
</physdesc>
<langmaterial label="Language of Material" encodinganalog="546"> Some
sung or spoken word material in <language encodinganalog="041" langcode="eng">English.</language> </langmaterial>
<repository label="Repository" encodinganalog="852">
<corpname>State University of New York at Buffalo. Music Library</corpname>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
</repository>
<abstract label="Abstract" encodinganalog="520$a">The collection contains
Lejaren Hiller's personal collections of reel to reel tapes pertaining to his
compositional output. It includes recordings of live performances of works as
well as recordings of some of the electronic source materials used in other
compositions.</abstract>
<unitdate type="inclusive" normal="1958/1985">1958-1985</unitdate>
</did>
<descgrp type="admininfo">
<head>Administrative Information</head>
<prefercite encodinganalog="524">
<head>Preferred Citation</head>
<p>[Specified item], Lejaren Hiller Collection of Audio Tape
Recordings, 1958-1985, Music Library, The State University of New York at
Buffalo.</p>
</prefercite>
<accessrestrict encodinganalog="506">
<head>Terms of Access</head>
<p>Materials can be examined by qualified researchers in the Music
Library during hours of operation during which Music Librarians are present. In
order to insure access, researchers are advised to contact the Music Library in
advance of visits. </p>
</accessrestrict>
<userestrict encodinganalog="540">
<head>Copyright</head>
<p>Copyright for the materials in the collection does not reside with
the Music Library. Therefore, patrons wishing to publish any item, or part of
an item from this collection for any purpose, are responsible for securing
requisite permissions. </p>
</userestrict>
<altformavail encodinganalog="530">
<head>Alternate Forms</head>
<p>Two hundred twenty three tapes have been digitally reformatted by
George Blood Audio using funds from The New York State Program for the
Conservation and Preservation of Library Research Materials - Coordinated Aid
Program. The container list includes indications of which tapes were
reformatted. </p>
</altformavail>
<acqinfo encodinganalog="541">
<head>Acquisition Information</head>
<p>Gift of Elizabeth Hiller.</p>
</acqinfo>
<accruals encodinganalog="584">
<head>Accruals and Additions</head>
<p>No further accruals are expected to this collection.</p>
</accruals>
<processinfo encodinganalog="583">
<head>Processing Information</head>
<p>Processed by John Bewley, 2005.</p>
</processinfo>
</descgrp>
<bioghist encodinganalog="545">
<head>Biographical Note</head>
<p>Lejaren Hiller was born on February 23, 1924, in New York City. He
received his B.A., M.A., and Ph.D. in chemistry from Princeton University,
where he also studied music theory and composition with Milton Babbitt and
Roger Sessions. In 1958, Hiller received his M. Mus. from the University of
Illinois where he founded the Experimental Music Studio.</p>
<p>In 1957, Hiller collaborated with Leonard Isaacson on the
<title render="italic">Illiac Suite</title>, the first significant use of
a computer in composition. The
<title render="italic">Illiac Suite</title> (String Quartet No. 4) was so
named for the Illiac computer on which the calculations for the score
parameters were made. Hiller was able to tap the power of the Illiac for the
generation and selection of large quantities of random values in a fundamental
type of stochastic modeling known as "the Monte Carlo Method."</p>
<p>Lejaren Hiller's importance to the field of computer music cannot be
over-emphasized. His work on the use of computers for the generation of musical
parameters such as pitch, rhythm, duration, etc. in pieces of music using
traditional instruments, opened a door to new methods of music material
generation and simultaneously to the computer-assisted analysis of the process
of music composition.</p>
</bioghist>
<scopecontent encodinganalog="520">
<head>Scope and Content Note</head>
<p>The collection contains Lejaren Hiller's personal collections of reel
to reel tapes pertaining to his compositional output. It includes recordings of
live performances of works as well as recordings of some of the electronic
source materials used in other compositions.</p>
<p>Seventy-two of Hiller's compositions, out of an approximate total of
eighty works, are included in the collection. Almost all of the recorded
performances in the collection took place under Hiller's direction, or in his
presence. They represent a historical record of his performance preferences and
possibly contain critical information about performance practices of the
period. The tapes for Hiller's electronic music compositions are unique to this
collection. Multiple tapes exist for many of the compositions that combine
electronic and acoustic sound sources. One tape may contain the electronic cues
for a work and another tape an entire performance of the work. There are also
multiple tapes of electronic sound sources for those of Hiller's compositions
that are entirely electronic. </p>
</scopecontent>
<arrangement encodinganalog="351">
<head>Arrangement</head>
<p> The collection is arranged in one series chiefly by the Hiller work
number of the first work on the tape. Tapes with collections and Hiller's
teaching materials are at the end of the collection.</p>
</arrangement>
<dsc type="in-depth">
<head>Container List</head>
<c level="item" id="c_5ccc8a109c075">
<did>
<container type="item">001</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata no. 1 for piano (1946, revised 1968) (H. 1) ,
<unitdate> Recorded July 10, 1975</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel
stereo.</materialspec>
<note>
<p>Duplicate of Tape 2</p>
<p>Performers: Kenwyn Boldt, piano</p>
<p>Duration: 28:15</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. Molto Moderato, Andante, Vivace, Allegro, etc. 9:50 II.
Prestissimo 1:21 III. Adagio 7:37 IV. Allegro Grazioso 8:15 +0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c08e">
<did>
<container type="item">002</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata no. 1 for piano (1946, revised 1968) (H. 1) ,
<unitdate> Recorded live at concert, July 10, 1975</unitdate>
</unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A301 stretched</materialspec>
<note>
<p>Master tape</p>
<p>Performers: Kenwyn Boldt, piano</p>
<p>Duration: 28:15</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Molto Moderato, Andante, Vivace, Allegro, etc. 9:50 II.
Prestissimo 1:21 III. Adagio 7:37 IV. Allegro Grazioso 8:15 +0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c095">
<did>
<container type="item">003</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata no. 2 for piano (1947) (H. 2) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Duplicate of Tape 4</p>
<p>Performers: Charles Clifton, piano</p>
<p>Duration: 21:31</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. Allegro Appassionato 10:31 II. Tango 4:22 III. Scherzo (Allegro
Vivace) 6:56 +0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c09a">
<did>
<container type="item">004</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname>
<title>Sonata no. 2 for piano</title> (1947) (H. 2) ,
<unitdate> Recorded May and June 1980</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A noise reduction</materialspec>
<note>
<p>Master tape</p>
<p>Performers: Charles Clifton, piano</p>
<p>Duration: 21:17</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Sonata Allegro: Allegro Appassionato 9:47 II. Tango: Andante
4:22 III. Scherzo: Allegro Vivace, Cantabile, Allegro Vivace, Cantabile,
Allegro Vivace 6:56 +0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c09f">
<did>
<container type="item">005</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Trio for violin, cello and piano (1947) (H. 3) ,
<unitdate> Recorded November 19, 1976</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel
stereo.</materialspec>
<note>
<p>Duplicate of Tape 6</p>
<p>Performers: Keiko Yamazaki, violin; Bonnie Black, violoncello;
Charles Clifton, piano</p>
<p>Duration: 28:10</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. Allegro Moderato 8:25 II. Allegro Brutale (Scherzo); Andantino
con Vino (Trio) 5:07 III. Adagio (Intermezzo) 7:08 IV. Allegro Vivace, Presto
7:18 +0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0a3">
<did>
<container type="item">006</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Trio for violin, cello and piano (1947) (H. 3) ,
<unitdate> Recorded November 19, 1976</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel
stereo.</materialspec>
<note>
<p>Master tape</p>
<p>Performers: Keiko Yamazaki, violin; Bonnie Black, violoncello;
Charles Clifton, piano</p>
<p>Duration: 28:08</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Allegro Moderato 8:25 II. Allegro Brutale (Scherzo); Andantino
con Vino (Trio) 5:07 III. Adagio (Intermezzo) 7:08 IV. Allegro Vivace, Presto
7:18 +0:10</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0a8">
<did>
<container type="item">007</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Seven artifacts, for piano (1948, revised 1973).
Selections (H. 4) ,
<unitdate> Recorded May 4, 1982</unitdate> </unittitle>
<physdesc>
<extent>1 5 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel stereo.,
Tail out</materialspec>
<note>
<p>Unique performance</p>
<p>Performers: Nils Vigeland, piano</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>1. [No. 6] Blue Triangle; 2. [No. 7] Ormolu</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0ae">
<did>
<container type="item">008</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Seven artifacts, for piano (1948, revised 1973) (H. 4) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown, 2-channel
stereo.</materialspec>
<note>
<p>Unique performance</p>
<p>Performers: Frina Boldt (1,4), Szablocz Esztenyi (2,3,5), Nils
Vigeland (7), Yvar Mikhashoff (6)</p>
<p>Duration: 27:34</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. String of Pearls 5:10 II. Palindrome 3:20 III. Plinth 5:05 IV.
Filigree 3:56 V. Clockwork 2:52 VI. Blue Triangle 3:52 VII. Ormolu 3:21</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0b4">
<did>
<container type="item">009</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Seven artifacts, for piano (1948, revised 1973) (H. 4) ,
<unitdate> Recorded December 14, 1983</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Duplicate of Tape 10</p>
<p>Performers: Naomi Weinfeld, piano</p>
<p>Duration: 29:46</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. String of Pearls 5:41 II. Palindrome 3:18 III. Plinth 5:55 IV.
Filigree 4:24 V. Clockwork 3:32 VI. Blue Triangle 3:09 VII. Ormolu 3:23
+0:24</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0ba">
<did>
<container type="item">010</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Seven artifacts, for piano (1948, revised 1973) (H. 4) ,
<unitdate> Recorded December 14, 1983</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A, Tail out</materialspec>
<note>
<p>Master tape</p>
<p>Performers: Naomi Weinfeld, piano</p>
<p>Duration: 29:46</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p> I. String of Pearls 5:41 II. Palindrome 3:18 III. Plinth 5:55 IV.
Filigree 4:24 V. Clockwork 3:32 VI. Blue Triangle 3:09 VII. Ormolu 3:23
+0:24</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0c0">
<did>
<container type="item">011</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Seven artifacts, for piano (1948, revised 1973) (H. 4) ,
<unitdate> 1st work recorded July 10, 1974 (1,4) and December 10,
1973 (Warsaw)(2,3,5,6); 2nd work recorded in concert</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; and 15 ips (Movements 1
and 4 of Seven Artifacts), 2-channel stereo., Movements 1 and 4 of Seven
Artifacts recorded with Dolby</materialspec>
<note>
<p>Storage</p>
<p>Possible duplication but with unique performances, too</p>
<p>Performers: 1st work performed by Frina Boldt (1,4), Szablocz
Esztenyi (2,3,5,6), and Nils Vigeland (7); 2nd work performed by Randall
Kramer, piano</p>
<p>Duration: 14:00 (Children's Suite)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. String of Pearls II. Palindrome III. Plinth IV. Filigree V.
Clockwork VI. Blue Triangle VII. Ormolu</p>
<p>Additional content:
<list>
<item>H. 8, Children's Suite for piano (1949) I. Prelude II.
Country Dance III. Processional IV. Pastorale V. Minuet VI. Romance VII. Finale
14:00</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0c7">
<did>
<container type="item">012</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 1 (1949) (H. 5) ,
<unitdate> Recorded October 9, 1977</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Unless Tape 13 is in superior condition</p>
<p>Performers: Kronos String Quartet</p>
<p>Duration: Part One: 18:21; Part Two: 18:58; Total 37:25</p>
<p>First complete performance</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>Part One: I. Allegro 7:08 II. Allegro Moderato, etc. (Scherzo)
7:10 III. Allegretto 4:03 Spacer 0:06 Part Two: IV. Adagio 10:39 V. Allegro
Risoluto (Fugue) 5:21 VI. Presto (Epilog)</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0cd">
<did>
<container type="item">013</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 1 (1949) (H. 5) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel stereo.,
Tail out</materialspec>
<note>
<p>Storage tapes</p>
<p>Duplicate storage tape of Tapes 12 and Tape 68; Use this tape if
those tapes are in worse condition</p>
<p>Performers: 1st work performed by the Kronos String Quartet; 2nd
work performed by the Concord String Quartet</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>Additional content:
<list>
<item>H. 31, String quartet No. 5 (1961)</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0d4">
<did>
<container type="item">014</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 1 for violin and piano (1949) (H. 7) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>No Master tape identified for Sonata; Master tape for H. 10 is
Tape 21 - use that instead?</p>
<p>Performers: 1st work performed by Thomas Halpin, violin, and
Yvar Mikhashoff, piano; 2nd work performed by Jane Bane, Marjorie Rosenberg,
Keith Daniel, Andrew Schultze, and Jane Cary, piano</p>
<p>Duration: 19:58 (Sonata No. 1); 7:54 (Jesse James)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Elegy (Andante) 9:23 II. Scherzo (Allegretto Pomposo) 3:33 III.
Rondo (Allegro Moderato) 6:54 Spacers 0:08</p>
<p>Additional content:
<list>
<item>H. 10, Jesse James, for vocal quartet and piano
(1950)</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0db">
<did>
<container type="item">015</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 1 for violin and piano (1949) (H. 7) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Storage tapes</p>
<p>Probable storage duplicate of Tape 14 Sonata no. 1 Master tape
of H. 18a is Tape 36 Master tape of H. 18b is Tape 36 Possible use if Tape 14
or Tape 36 in inferior condition</p>
<p>Spine label only</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>Additional content:
<list>
<item>H. 18a, Sonata, No. 2 for violin and piano (1955)</item>
<item>H. 18b Sonata for cello and piano (1955/77)</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0e3">
<did>
<container type="item">016</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Children's suite, for piano (1949) (H. 8) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Master tape is Tape 17</p>
<p>Performers: Frina Boldt, piano</p>
<p>Duration: 18:00 (Children's suite); 13:35 (Sonata No. 3 for
piano)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Prelude II. Country Dance III. Processional IV. Pastorale V.
Minuet VI. Romance VII. Finale</p>
<p>Additional content:
<list>
<item>H. 9, Sonata, No. 3 for piano (1950) I. Allegro Moderato
II. Andantino III. Presto (Scherzo) IV. Allegro (Fugue)</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c0ec">
<did>
<container type="item">017</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Children's suite, for piano (1949) (H. 8) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Master tape of Children's suite</p>
<p>Master; although not stated, it is likely the same performance
as Tape 16</p>
<p>Contains two copies of pieces 2, 3, 4, 6, and 7</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c0f4">
<did>
<container type="item">018</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Children's suite, for piano (1949) (H. 8) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Back up of some of the Children's suite</p>
<p>Duplicate backup tape</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c0fc">
<did>
<container type="item">019</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 3 for piano (1950) (H. 9) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A, Tail out</materialspec>
<note>
<p>Master tape</p>
<p>Master tape for H. 9 and H. 19; H. 19 master also on Tape 38
(different performance) Four early pieces not listed in works list</p>
<p>Performers: 1st and 2nd work performed by Charles Clifton,
piano; last work (Four Early Pieces) performed by Yvar Mikhashoff, piano</p>
<p>Duration: 14:56 (Sonata No. 3 for piano); 3:34 (Two Theatre
pieces for piano)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Allegro 7:01 II. Andantino 3:43 III. Presto 2:19 IV. Allegro
1:35 Spacers 0:12</p>
<p>Additional content:
<list>
<item>H. 19, Two theater pieces, for piano (1956) I. Aria Spacers
0:04 II. Chords and Wild Dance 1:34 Four Early Pieces (1948/49) I. Prelude
(from H. 8) II. Aria (from H. 19) III. Chords and Wild Dance (from H. 19) IV.
Blue Triangle (from H. 4) Spacers 0:12</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c105">
<did>
<container type="item">020</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 3 for piano (1950) (H. 9) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Master tape and sub-master</p>
<p>Master; no performer identified; duration differs from Tape
19</p>
<p>Duration: 13:35 (Master tape)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c10f">
<did>
<container type="item">021</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Jesse James, for vocal quartet and piano (1950) (H. 10) ,
<unitdate> 2nd work recorded July 7, 1973</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A301 stretched, Tail out (2nd work)</materialspec>
<note>
<p>Master tape</p>
<p>Performers: 1st work performed by Jane Bane, Marjorie Rosenberg,
Keith Daniel, Andrew Schultze (vocal quartet), and Jane Cary, piano; 2nd work
performed by Winifred Black, soprano, and David Sussman, guitar.</p>
<p>Duration: 25:39 total (7:54 and 17:39)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>Additional content:
<list>
<item>H. 24, Five Appalachian ballads, for voice and
guitar/harpsichord (1958) I. Lord Randal 3:36 II. Barbara Allen 4:06 III. The
Three Ravens 1:12 IV. The Cruel Mother 5:16 V. The Two Sisters 3:13 Spacers
0:16</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c118">
<did>
<container type="item">022</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 4 for piano (1950) (H. 11) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel
stereo.</materialspec>
<note>
<p>Duplicate of Master tape 23</p>
<p>Performers: Frina Boldt, piano</p>
<p>Duration: 29:20</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. Andante; Allegro Vivace 12:04 II. Andante con Moto; Allegretto
Vivace 7:20 III. Alla Marcia; Allegretto Serioso 5:56 IV. Prestissimo 3:48
Spacers 0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c122">
<did>
<container type="item">023</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Sonata, No. 4 for piano (1950) (H. 11) ,
<unitdate> Recorded June 1970</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A; Dolby A301 stretched, Tail out</materialspec>
<note>
<p>Master tape</p>
<p>Performers: Frina Boldt, piano</p>
<p>Duration: 29:20</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Andante; Allegro Vivace 12:04 II. Andante con Moto; Allegretto
Vivace 7:20 III. Alla Marcia; Allegretto Serioso 5:56 IV. Prestissimo 3:48
Spacers 0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c12c">
<did>
<container type="item">024</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 2 (1951) (H. 13) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">speed unknown</materialspec>
<note>
<p>Duplicate of Tape 25</p>
<p>Performers: Pro Arte Zagreb String Quartet</p>
<p>Duration: 27:51</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
<scopecontent>
<p>I. Adagio 14:50 II. Allegro 12:57 Spacer 0:04</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c137">
<did>
<container type="item">025</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 2 (1951) (H. 13) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel
stereo.</materialspec>
<note>
<p>Master tape</p>
<p>Master, "without editing"</p>
<p>Performers: Pro Arte Zagreb String Quartet</p>
<p>Duration: 27:51</p>
<p>Without editing as on 7 &#xBD; storage tape of 2nd movement</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Adagio 14:50* II. Allegro 12:57 0:04 * including estimate for
missing bars</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c141">
<did>
<container type="item">026</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 2 (1951) (H. 13) ,
<unitdate> Recorded 1974</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel
stereo.</materialspec>
<note>
<p>Sub-master</p>
<p>"properly edited sub-master tape (follows formal edition of
score).</p>
<p>Performers: Zagreb Pro Arte String Quartet</p>
<p>Duration: 27:40</p>
<p>Properly edited sub-master tape (follows formal edition of
score)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Adagio 14:36 II. Allegro 13:00 Spacer 0:04</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c14c">
<did>
<container type="item">027</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Fantasy, for three pianos (1951) (H. 14) ,
<unitdate> Recorded June 1983</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel
stereo.</materialspec>
<note>
<p>Duplicate on Master tape 28</p>
<p>Performers: Stephen Manes, Frieda Manes, Yvar Mikhashoff</p>
<p>Duration: 16:54</p>
<p>Tape digitally reformatted: No</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c157">
<did>
<container type="item">028</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Fantasy, for three pianos (1951) (H. 14) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A, Tail out</materialspec>
<note>
<p>Master tape</p>
<p>Master; possibly unique performances of accompanying works</p>
<p>Performers: 1st work performed by Stephen Manes, Frieda Manes,
and Yvar Mikhashoff; other works performed by Yvar Mikhashoff</p>
<p>Duration: 24:50 total (16:41 Fantasy)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>Additional content: Four short pieces
<list>
<item>I. Prelude from &#x201C;Children&#x2019;s Suite&#x201D; (H. 8) 1:16 Spacer 0:04
</item>
<item>II. Two Theater Pieces (1) Aria from Pirandello&#x2019;s &#x201C;Right
You Are&#x201D; (H. 19) 2:53 Spacer 0:04 </item>
<item>III. Two Theater Pieces (2) &#x201C;Wild Dance For Ibsen&#x2019;s &#x201C;Hedda
Gabler&#x201D; (H.19) 0:53 Spacer 0:04</item>
<item>IV. Seven Artifacts #6 Blue Triangle (H. 4) 2:48</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c163">
<did>
<container type="item">029</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> Fantasy, for three pianos (1951) (H. 14) ,
<unitdate> undated</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A, Tail out</materialspec>
<note>
<p>Master tape</p>
<p>Master; duplicate of H. 46 on Tape 137</p>
<p>Performers: 1st work performed by Stephen Manes, Frieda Manes,
and Yvar Mikhashoff; 2nd work performed by Kenwyn Boldt and Frina Boldt</p>
<p>Duration: 16:43 (Fantasy); 17:37 (Cenotaph)</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>Additional content:
<list>
<item>H. 46, A cenotaph, for two pianos (1971)</item>
</list>
</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c16f">
<did>
<container type="item">030</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 3 (1953) (H. 16) ,
<unitdate> Recorded March 24, 1976</unitdate> </unittitle>
<physdesc>
<extent>1 7 inch reel</extent>
</physdesc>
<materialspec label="Technical details">7 &#xBD; ips, 2-channel
stereo.</materialspec>
<note>
<p>Different performance date from Tape 31 and 32</p>
<p>Performers: Kronos String Quartet</p>
<p>Duration: 24:00</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
<scopecontent>
<p>I. Allegro Con brio 6:16 II. Lento, ma non troppo 5:44 III.
Scherzo- allegro energico, Trio-Vivace 4:52 IV. Presto 6:54 Spacers 0:12</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a109c17b">
<did>
<container type="item">031</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 3 (1953) (H. 16) ,
<unitdate> Recorded June 27, 1981</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A</materialspec>
<note>
<p>Master tape</p>
<p>Master; unique performance date</p>
<p>Performers: Kronos String Quartet</p>
<p>Duration: 24:44</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c188">
<did>
<container type="item">032</container>
<unittitle>
<persname role="creator" source="lcnaf">Hiller, Lejaren,
1924-1994</persname> String quartet No. 3 (1953) (H. 16) ,
<unitdate> Recorded June 28, 1981</unitdate> </unittitle>
<physdesc>
<extent>1 10 inch reel</extent>
</physdesc>
<materialspec label="Technical details">15 ips, 2-channel stereo.,
Dolby A</materialspec>
<note>
<p>Submaster</p>
<p>Submaster; unique performance date</p>
<p>Performers: Kronos String Quartet</p>
<p>Duration: 24:18</p>
<p>Tape digitally reformatted: Yes</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a109c196">
<did>