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Off-NIME NIME Papers

Nime papers, chapters and books published outside of the NIME Conference Proceedings

Computer Music Journal (CMJ)

1977 (Vol 1)

N.4

  • James Lawson and Max Mathews. 1977. Computer Program to Control a Digital Real-Time Sound Synthesizer. Computer Music Journal v.1 n.4.

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  • Alles, H. G.. 1977. A 256-Channel Performer Input Device. Computer Music Journal v.1 n.4.

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  • Laske, Otto E.. 1977. Toward a Theory of Interfaces for Computer Music Systems. Computer Music Journal v.1 n.4.

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1978 (Vol 2)

N.3

  • Kurt H. Andersen. 1978. A Digital Sound Synthesizer Keyboard. Computer Music Journal v.2 n.3.

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1979 (Vol 3)

N.2

  • S. R. Holtzman. 1979. An Automated Digital Sound Synthesis Instrument. Computer Music Journal v.3 n.2.

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1980 (Vol 4)

N.1

  • W. Buxton and W. Reeves and G. Fedorkow and K. C. Smith and R. Baecker. 1980. A Microcomputer-Based Conducting System. Computer Music Journal v.4 n.1.

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N.4

  • Stanley Haynes. 1980. The Musician-Machine Interface in Digital Sound Synthesis. Computer Music Journal v.4 n.4.

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  • Max V. Mathews and Curtis Abbott. 1980. The Sequential Drum. Computer Music Journal v.4 n.4.

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1984 (Vol 8)

N.3

  • C. Cadoz and A. Luciani and J. Florens and Curtis Roads and Françoise Chadabe. 1984. Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System. Computer Music Journal v.8 n.3.

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1985 (Vol 9)

N.2

  • M. Yunik and M. Borys and G. W. Swift. 1985. A Digital Flute. Computer Music Journal v.9 n.2.

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N.4

  • Henning Lohner and Robert Moog. 1985. Interview with Robert Moog. Computer Music Journal v.9 n.4.

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1986 (Vol 10)

N.2

  • Curtis Roads. 1986. The Second STEIM Symposium on Interactive Composition in Live Electronic Music. Computer Music Journal v.10 n.2.

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N.3

  • D. M. Gualtieri. 1986. MIDI Output Interface to a Parallel Printer Port. Computer Music Journal v.10 n.3.

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N.4

  • Henning Lohner. 1986. The UPIC System: A User's Report. Computer Music Journal v.10 n.4.

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1987 (Vol 11)

N.3

  • Logemann, G. W.. 1987. Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music. Computer Music Journal v.11 n.3.

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1990 (Vol 14)

N.1

  • Pressing, Jeff. 1990. Cybernetic Issues in Interactive Performance Systems. Computer Music Journal v.14 n.1.

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  • Rubine, Dean and McAvinney, Paul. 1990. Programmable Finger-tracking Instrument Controllers. Computer Music Journal v.14 n.1.

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  • Knapp, R. Benjamin and Lusted, Hugh. 1990. A Bioelectric Controller for Computer Music Applications. Computer Music Journal v.14 n.1.

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N.2

  • Chabot, Xavier. 1990. Gesture Interfaces and a Software Toolkit for Performance with Electronics. Computer Music Journal v.14 n.2.

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  • Krefeld, Volker. 1990. The Hand in the Web: An Interview with Michel Waisvisz. Computer Music Journal v.14 n.2.

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  • Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup. 1990. A Modular Feedback Keyboard Design. Computer Music Journal v.14 n.2.

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  • Moog, Robert and Rhea, Thomas. 1990. Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards. Computer Music Journal v.14 n.2.

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N.4

  • Bosi, Marina. 1990. An Interactive Real-Time System for the Control of Sound Localization . Computer Music Journal v.14 n.4.

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1991 (Vol 15)

N.1

  • Tanaka, Atau. 1991. CyberArts International. Computer Music Journal v.15 n.1.

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N.3

  • Pennycook, Bruce. 1991. Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software. Computer Music Journal v.15 n.3.

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N.4

  • Mathews, Max V.. 1991. The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music. Computer Music Journal v.15 n.4.

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  • Wessel, David L.. 1991. Instruments That Learn, Refined Controllers, Source Model Loudspeakers. Computer Music Journal v.15 n.4.

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1992 (Vol 16)

N.1

  • Bauer, Will and Foss, Bruce. 1992. GAMS: An Integrated Media Controller System. Computer Music Journal v.16 n.1.

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N.3

  • Czeiszpergerm Michael and Tanaka, Atau. 1992. CyberArts International. Computer Music Journal v.16 n.3.

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1994 (Vol 18)

N.2

  • Jaffe, David A. and Schloss, W. Andrew. 1994. The Computer-Extended Ensemble. Computer Music Journal v.18 n.2.

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N.4

  • Wright, Matthew. 1994. A Comparison of MIDI and ZIPI. Computer Music Journal v.18 n.4.

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1995 (Vol 19)

N.2

  • Van den Berghe, Guido and De Moor, Bart and Minten, Willem. 1995. Modeling a Grand Piano Key Action. Computer Music Journal v.19 n.2.

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1996 (Vol 20)

N.3

  • Hirano, Karl. 1996. A Review of Electronic Musical Instruments. Computer Music Journal v.20 n.3.

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1997 (Vol 21)

N.1

  • Kroepfl, Francisco. 1997. Electronic Music: From Analog Control to Computers. Computer Music Journal v.21 n.1.

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N.2

  • Paradiso, Joseph A. and Gershenfeld, Neil. 1997. Musical Applications of Electric Field Sensing. Computer Music Journal v.21 n.2.

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1998 (Vol 22)

N.1

  • Bongers, Bert. 1998. An Interview with Sensorband. Computer Music Journal v.22 n.1.

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  • de Laubier, Serge. 1998. The Meta-Instrument. Computer Music Journal v.22 n.1.

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  • Haken, Lippold and Tellman, Ed and Wolfe, Patrick. 1998. An Indiscrete Music Keyboard. Computer Music Journal v.22 n.1.

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N.4

  • Siegel, Wayne and Jacobsen, Jens. 1998. The Challenges of Interactive Dance: An Overview and Case Study. Computer Music Journal v.22 n.4.

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2000 (Vol 24)

N.1

  • Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero. 2000. EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems. Computer Music Journal v.24 n.1.

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2001 (Vol 25)

N.2

  • Ystad, Sølvi and Voinier, Thierry. 2001. A Virtually Real Flute. Computer Music Journal v.25 n.2.

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  • Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger , Jonathan. 2001. SICIB: An Interactive Music Composition System Using Body Movements. Computer Music Journal v.25 n.2.

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  • Weinberg, Gil and Gan, Seum-Lim. 2001. The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument. Computer Music Journal v.25 n.2.

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International Computer Music Conference (ICMC)

1975

  • Joel Chadabe. 1975. System Composing. Proceedings of the Second Annual Music Computation Conference.

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  • David Rosenboom. 1975. A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument. Proceedings of the Second Annual Music Computation Conference.

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1977

  • Paul E. Dworak and Alice C. Parker. 1977. Envelope Control with an Optical Keyboard. Proceedings of the International Computer Music Conference.

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  • Michael A. Yantis. 1977. A Microprocessor Based Live-Performance Instrument. Proceedings of the International Computer Music Conference.

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1978

  • H.G. Alles. 1978. An Inexpensive Digital Sound Synthesizer. Proceedings of the International Computer Music Conference.

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  • William Buxton and E.A. Fogels and Guy Fedorkow and Lawrence Sasaki and K.C. Smith. 1978. An Introduction to the SSSP Digital Synthesizer. Proceedings of the International Computer Music Conference.

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  • Nelson J. Bridwell. 1978. Interactive Synthesis Without Obscure Diagnostics. Proceedings of the International Computer Music Conference.

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  • W. Buxton and G. Fedorkow and R. Baecker and W. Reeves and K.C. Smith and G. Ciamaga and L. Mezei. 1978. An Overview of the Structured Sound Synthesis Project. Proceedings of the International Computer Music Conference.

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  • Charles G. Boody. 1978. The Micro-computer as an Input Device for Music Analysis or Composition by Computer. Proceedings of the International Computer Music Conference.

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